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MUSICA
CLASSICA
E
ARTE
|
Udire la
musica a
occhi
aperti,
vuole
dire
dedicare
attenzione
alle
ragioni
storiche
e
culturali
che
hanno portato
alla
composizione
del
brano
musicale;
significa
respirare
l'aria
artistica
dell'autore
che,
testimone
del suo
tempo,
ascoltava
la
musica e
viveva
l'arte
della
sua
epoca.
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Home |
APPUNTI |
Antologia |
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Appunti da: Alex Ross – Il resto č
rumore. Ascoltando il XX secolo -
(Bompiani - 2020) |
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Indietro |
1933 - 1945 |
Avanti |
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3FF |
Autore |
Composizione |
Anno |
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V |
Copland |
Organ
Symphony I. Prelude (Andante) |
1924 |
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V |
Prokofiev |
The Fiery
Angel, Op.37 Act 1 Zdes', gospodin
rycar' |
1927 |
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V |
Sostakovic |
Symphony No.
2 in B Major, Op. 14, To October Part I |
1927 |
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V |
Thomson |
Symphony on a
Hymn Tune |
1928 |
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V |
Copland |
Piano
Variations |
1930 |
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V |
Crawford |
Three Chants
3. To A Kind God |
1930 |
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V |
Crawford |
String
Quartet, 1931 II. Leggiero |
1931 |
|
V |
Popov |
Symphony No.
1, Op. 7 II. Largo |
1935 |
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V |
Copland |
Statements V.
Jingo - Live |
1935 |
|
V |
Hindemith |
Mathis der
Maler Vorspiel Engelskonzert (Live) |
1935 |
|
V |
Sostakovic |
Lady Macbeth
of Mtsensk District Act 1 Akh, ne
spítsya ból'se, popróbuyu |
1936 |
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V |
Sostakovic |
Symphony No.
4 in C Minor, Op. 43 I. Allegretto poco
moderato - Presto |
1936 |
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V |
Prokofiev |
Romeo and
Juliet, Op.64 Introduction |
1936 |
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V |
Thomson |
The Plow that
Broke the Plains Prelude |
1936 |
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V |
Barber |
Barber Adagio
for Strings, Op. 11 |
1936 |
|
V |
Sostakovic |
Symphony No.
5 in D Minor, Op. 47 III. Largo |
1937 |
|
V |
Copland |
El Salón
México |
1937 |
|
V |
Blitzstein |
My Dear
Missus Mister! (Live) |
1937 |
|
V |
Strauss |
Ich
komme, gründende Brüder - Alternative
Studioaufnahmen |
1937 |
|
V |
Copland |
Billy the Kid
I. Introduction. The Open Prairie |
1938 |
|
V |
Harris |
Symphony No.
3 |
1938 |
|
V |
Weill |
Knickerbocker
Holiday September Song (Arr. By Paul
Bateman) |
1938 |
|
V |
Schoenberg |
Kol Nidre,
Op. 39 |
1938 |
|
V |
Prokofiev |
Zdravitsa
(Hail to Stalin), Op. 85 (original
version) |
1939 |
|
V |
Prokofiev |
Semyon
Kotko, Op.81 Act 1 Introduction |
1939 |
|
V |
Revueltas |
La noche de
los mayas I. Noche de los Mayas |
1939 |
|
V |
Egk |
Peer Gynt,
Act I Act I Scene 4 Gott segne dein
Werk, Gott segne dich, Peer! |
1939 |
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V |
Strauss |
Capriccio,
Op.85, TrV 279 Introduction |
1941 |
|
V |
Sostakovic |
Symphony No.
7 in C Major Leningrad, Op. 60 I. War.
Allegretto |
1942 |
|
V |
Prokofiev |
War and
Peace, Op. 91, Scene 1 I. The Radiance
of Sky in Spring... |
1942 |
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V |
Eisler |
Four
Hollywood Elegies - Live |
1942 |
|
V |
Herrmann |
The Night |
1942 |
|
V |
Copland |
Fanfare for
the Common Man |
1942 |
|
V |
Ellington |
Black and Tan
Fantasy - Live |
1943 |
|
V |
Prokofiev |
Symphony No.
5 in B-Flat Major, Op. 100 IV. Allegro
giocoso |
1944 |
|
V |
Bartok |
Concerto for
Orchestra, Sz. 116 4. Intermezzo
interrotto (Allegretto) |
1944 |
|
V |
Copland |
Appalachian
Spring VIII. Coda. Moderato |
1944 |
|
V |
Strauss |
Metamorphosen
For 23 Solo Strings |
1945 |
|
V |
Schoenberg |
Trio for
Violin, Viola and Cello, Op. 45 |
1946 |
|
V |
Stravinsky |
Stravinsky
Symphony in Three Movements I. Overture.
Allegro |
1946 |
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Indietro |
1933 - 1945 |
Avanti |
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