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MUSICA CLASSICA E ARTE |
Udire la
musica a
occhi
aperti,
vuole
dire
dedicare
attenzione
alle
ragioni
storiche
e
culturali
che
hanno portato
alla
composizione
del
brano
musicale;
significa
respirare
l'aria
artistica
dell'autore
che,
testimone
del suo
tempo,
ascoltava
la
musica e
viveva
l'arte
della
sua
epoca. |
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APPUNTI |
Antologia |
|
Appunti da: Alex Ross – Il resto è
rumore. Ascoltando il XX secolo -
(Bompiani - 2020) |
|
Indietro |
1945 - 2000 |
Avanti |
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3FF |
Autore |
Composizione |
Anno |
V |
Szymanowski |
Symphony No.3
- Chant de la nuit, Op.27 Moderato
assai... |
1921 |
V |
Britten |
Violin
Concerto in D Minor, Op. 15 I. Moderato
con moto - Agitato - Tempo primo |
1939 |
V |
Messiaen |
Quatuor pour
la fin du Temps V. Louange à l'Éternité
de Jésus |
1941 |
V |
Britten |
Serenade,
Op. 31 III. Nocturne |
1943 |
V |
Messiaen |
Trois petites
liturgies de la présence divine 1.
Antienne de la conversation intérieure |
1944 |
V |
Copland |
Symphony No.
3 I. Molto moderato, with simple
expression |
1945 |
V |
Britten |
Peter Grimes,
Op. 33, Prologue Interlude I |
1945 |
V |
Boulez |
Le visage
nuptial III Le visage nuptial |
1947 |
V |
Babbitt |
Three
Compositions |
1947 |
V |
Sostakovic |
Violin
Concerto No. 1 in A Minor, Op. 77 II.
Scherzo. Allegro |
1948 |
V |
Strauss |
Vier letzte
Lieder, TrV 296 4. Im Abendrot |
1948 |
V |
Schoenberg |
Moses und
Aron, Act I Scene 1 Einziger, ewiger …
und unverstellbarer Gott! |
1949 |
V |
Messiaen |
Etudes de
rythme, No. 2 Mode de valeurs et
d'intensités |
1949 |
V |
Cage |
String
Quartet in Four Parts Quietly Flowing
Along |
1949 |
V |
Copland |
Quartet for
piano and strings 1. Adagio serio |
1950 |
V |
Boulez |
Polyphonie X
for 18 instruments (1951) Modere - Lent
- Vif |
1951 |
V |
Stravinsky |
The Rake's
Progress Act 1 Scene 1 The woods are
green |
1951 |
V |
Stockhausen |
Kreuzspiel |
1951 |
V |
Carter |
String
Quartet No. 1 I. Maestoso |
1951 |
V |
Stravinsky |
Cantate IV.
Ricercar II. Sacred History. To-morrow
shall be my dancing day |
1952 |
V |
Boulez |
Structures
pour deux pianos - Livre II Chapitre I |
1952 |
V |
Sostakovic |
Symphony No.
10 in E Minor, Op. 93 IV. Andante -
Allegro |
1953 |
V |
Xenakis |
Metastasis |
1953 |
V |
Messiaen |
Reveil des
Oiseaux |
1953 |
V |
Ligeti |
Musica
ricercata No. 7 in B-Flat Major |
1953 |
V |
Boulez |
Le Marteau
sans maître IX. Bel édifice et les
pressentiments Double |
1955 |
V |
Stockhausen |
Gesang Der
Junglinge |
1956 |
V |
Nono |
Il canto
sospeso for Soprano, Contralto and Tenor, Mixed Chorus and Orchestra |
1956 |
V |
Cage |
Concert for
Piano & Orchestra |
1957 |
V |
Britten |
A Midsummer
Night's Dream, Op.64 Act 3 Now the
Hungry Lion Roars |
1960 |
V |
Sostakovic |
String
Quartet No. 8 in C-Sharp Minor, Op. 110
No. 5, Largo |
1960 |
V |
Carter |
Double
Concerto for Harpsichord & Piano I.
Introduction - II. Cadenza
Harpsichord |
1961 |
V |
Copland |
Connotations
for Orchestra |
1962 |
V |
Britten |
War Requiem,
Op. 66 XVIII. Libera me - Libera me
(Soprano, Chorus) |
1962 |
V |
Sostakovic |
Symphony No.
13 in B-Flat Minor, Op. 113 Babi Yar I.
Babi Yar. Adagio |
1962 |
V |
Britten |
IV
Passacaglia Andante allegro |
1962 |
V |
Penderecki |
St. Luke
Passion, Pt. 2 No. 16, Popule meus
(Live) |
1963 |
V |
Ligeti |
Requiem II.
Kyrie |
1963 |
V |
Reich |
It's Gonna
Rain, Pt. I (1965) |
1965 |
V |
Stravinsky |
Canticum
sacrum ad honorem Sancti Marci nominis |
1966 |
V |
Davies |
Revelation
and Fall, Monodrama, Op. 31 Allegro
agitato |
1966 |
V |
Ligeti |
Lontano |
1967 |
V |
Zimmermann |
Die Soldaten
Preludio |
1968 |
V |
Messiaen |
La
Transfiguration de Notre Seigneur
Jésus-Christ . Terribilis est locus iste |
1969 |
V |
Lutoslawski |
Cello
Concerto Concerto for Cello and
Orchestra |
1969 |
V |
Reich |
Four Organs |
1969 |
V |
Glass |
Music in
Similar Motion |
1969 |
V |
Feldman |
Rohtko Chapel
1 |
1971 |
V |
Messiaen |
Saint
Francois D'Assise Deuxième Acte Avec
quel respect ils se sont tus... |
1983 |
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Indietro |
1945 - 2000 |
Avanti |
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