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MUSICA CLASSICA
E
ARTE |
Udire la
musica a
occhi
aperti,
vuole
dire
dedicare
attenzione
alle
ragioni
storiche
e
culturali
che
hanno portato
alla
composizione
del
brano
musicale;
significa
respirare
l'aria
artistica
dell'autore
che,
testimone
del suo
tempo,
ascoltava
la
musica e
viveva
l'arte
della
sua
epoca.
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Home |
APPUNTI |
Antologia
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Appunti da: Alex Ross – Il resto è
rumore. Ascoltando il XX secolo -
(Bompiani - 2020) |
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Indietro |
1900 - 1933 |
Avanti |
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3FF |
Autore |
Composizione |
Anno |
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V |
Liszt |
Bagatelle
sans tonalité, S. 216a |
1885 |
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V |
Sibelius |
Kullervo, Op.
7 I. Introduction. Allegro moderato
(Orchestra) |
1892 |
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V |
Debussy |
Nocturnes, L.
91 2. Fêtes |
1899 |
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V |
Debussy |
Pelléas et
Mélisande, L.88 Act 5 Ce n'est pas de
cette petite blessure |
1902 |
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V |
Sibelius |
Symphony No.
2 in D Major, Op. 43 IV. Finale. Allegro
moderato |
1902 |
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V |
Janàcek |
Jen ufa
Act 2 Co chvila ... co chvila |
1903 |
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V |
Cook |
Overture to
In Dahomey |
1903 |
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V |
Strauss |
Salome, Op.54
Scene 1 Wie schön ist die Prinzessin
Salome heute Nacht! |
1905 |
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V |
Ives |
The
Unanswered Question |
1906 |
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V |
Schoenberg |
Kammersymphonie Nr 1 op 9 |
1907 |
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V |
Schoenberg |
String
Quartet No. 2, Op. 10 III. Litanei |
1908 |
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V |
Ravel |
Gaspard de la
nuit, M. 55 2. Le Gibet |
1908 |
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V |
Bartok |
Violin
Concerto No. 1, Sz. 36 I. Andante
sostenuto |
1908 |
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V |
Webern |
6 Pieces, Op.
6 (revised version) IV. Sehr massig |
1909 |
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V |
Ives |
Symphony No.
3 in B-Flat Major Camp Meeting III.
Communion |
1910 |
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V |
Sibelius |
Symphony No.
4, Op.63 |
1911 |
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V |
Berg |
Altenberglieder Op.4 Über die Grenzen
des All |
1912 |
|
V |
Stravinsky |
The Rite of
Spring, Pt. 1 Introduction - Danse des
adolescentes - Jeu de rapt |
1913 |
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V |
Berg |
Three Pieces
for Orchestra, Op. 6 III. Marsch |
1914 |
|
V |
Berg |
Wozzeck Act 3
Scene 4 Forest Path. Das
Messer Wo ist das Messer |
1914 |
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V |
Sibelius |
Symphony No.
5 in E-flat Major, Op. 82 |
1915 |
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V |
Poulenc |
Rapsodie
negre, FP 3 Honoloulou - Vocal Interlude |
1917 |
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V |
Villa Lobos |
Amazonas |
1917 |
|
V |
Milhaud |
L'homme et
son désir, Op. 48 |
1918 |
|
V |
Ravel |
La
Valse, M. 72 (Version for 2 Pianos)
[Live] |
1920 |
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V |
Varese |
Amériques
(1929 Version by Chou Wen-chung) |
1922 |
|
V |
Gershwin |
Suite from
Blue Monday I. First Section (Arr. for 2
Pianos by Jeanneau |
1922 |
|
V |
Poulenc |
Les biches
Suite, FP 36b I. Rondeau |
1923 |
|
V |
Stravinsky |
Octet for
Wind Instruments II. Tema con
variazioni. Andantino |
1923 |
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V |
Antheil |
Ballet
Mecanique |
1924 |
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V |
De Falla |
Harpsichord
Concerto I Allegro |
1926 |
|
V |
Janàcek |
Glagolitic
Mass, JW 39 6. Agnece Bozij |
1926 |
|
V |
Ruggles |
Sun-Treader |
1926 |
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V |
Sibelius |
Tapiola
Op.112 |
1926 |
|
V |
Schoenberg |
Die
Jakobsleiter Gabriel Ob rechts, ob links |
1926 |
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V |
Weill |
Der
Protagonist, Op. 15 Overture |
1926 |
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V |
Webern |
Streichtrio,
Op.20 |
1927 |
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V |
Stravinsky |
Oedipus Rex
Prologue |
1927 |
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V |
Krenek |
Jonny spielt
auf, op.45 Scene 1 Du schöner Berg, der
mich anzieht |
1927 |
|
V |
Bartok |
Quartetto per
archi n. 4 Sz 91 - III. Non troppo lento |
1928 |
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V |
Wolpe |
Zeus und
Elida Blues |
1928 |
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V |
Berg |
Lulu Act I
Mein Alter! Meine Welt! |
1928 |
|
V |
Ives |
3 Places in
New England No. 2 Putnam's Camp,
Redding, Connecticut |
1929 |
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V |
Schoenberg |
Moses und
Aron, Act II Scene 5 Aron, was hast du
getan … Nicht Neues! |
1930 |
|
V |
Stravinsky |
Symphonie de
Psaumes, 60 Expetans expectavi Dominum -
Salmo 40, v . 2,3,4 |
1930 |
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V |
Eisler |
Der heimliche
Aufmarsch |
1930 |
|
V |
Weill |
Down in the
Valley Scene 1 Down in the valley,
valley so low (Leader, Chorus) |
1930 |
|
V |
Eisler |
Die
Massnahme, Op. 20 No. 3. Lied des
Handlers |
1930 |
|
V |
Weill |
Mahagonny
Songspiel Part 3 - Revolution In
Mahagonny Finale People Only Dream |
1930 |
|
V |
Orff |
Musik zur
Nacht Das Märchen von Klein-Flöhchen und
Klein-Läuschen |
1933 |
|
V |
Gershwin |
Porgy and
Bess Act 1 Scene 1 Summertime |
1934 |
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Indietro |
1900 - 1933 |
Avanti |
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